BETA

Activities of Helga TRÜPEL related to 2018/0190(COD)

Plenary speeches (1)

Establishing the Creative Europe programme (2021 to 2027) (debate) DE
2016/11/22
Dossiers: 2018/0190(COD)

Shadow reports (1)

REPORT on the proposal for a regulation of the European Parliament and of the Council establishing the Creative Europe programme (2021 to 2027) and repealing Regulation (EU) No 1295/2013 PDF (351 KB) DOC (164 KB)
2016/11/22
Committee: CULT
Dossiers: 2018/0190(COD)
Documents: PDF(351 KB) DOC(164 KB)

Amendments (65)

Amendment 106 #
Proposal for a regulation
Recital 1
(1) Culture, arts, cultural heritage and, cultural diversity and the cultural ecosystem as a whole are of great value to European society from a cultural, educational, environmental, social and economic point of view and should be promoted and supported. The Rome Declaration of 25 March 2017 as well as the European Council in December 2017 stated that education and culture are key to building inclusive and cohesive societies for all, and to sustaining European competitiveness.
2018/11/30
Committee: CULT
Amendment 116 #
Proposal for a regulation
Recital 4
(4) The Commission Communication on a New European Agenda for Culture15 further sets out the objectives of the Union for the cultural and creative sectors. It aims to harness the power of culture and cultural diversity for social cohesion and societal well-being, fostering the cross-border dimension of cultural and creative sectors, supporting their capacity to grow, encouraging culture-based creativity in education and innovation, and for jobs and growth as well as strengthening international cultural relations. Creative Europe, together with other Union programmes, should support the implementation of this New European Agenda for Culture, while recognising and promoting the intrinsic value of culture. This is also in line with the 2005 UNESCO Convention for the Protection and Promotion of the Diversity of Cultural Expressions, which entered into force on 18 March 2007 and to which the Union is a party. __________________ 15 COM(2018) 267 final.
2018/11/30
Committee: CULT
Amendment 125 #
Proposal for a regulation
Recital 5
(5) The promotion of European cultural diversity depends onand common roots stems from and depends on the freedom of artistic expression, the capability and competences of artists and cultural operators, as well as the existence of flourishing and resilient cultural and creative sectors, able in the public and private domain and its ability to create, produce and distribute their works to a large and diverse European audience. This thereby enlargesIn addition, their business potential and contributes to sustainable growth and jobs creation. In addition,, while the promotion of creativity contributes to boosting competitiveness and sparkling innovation in the industrial value chains. In spite of recent progress, the European cultural and creative market continues to be fragmented along national and linguistic lines, which do not allow the cultural and creative sectors to fully benefit from the Europeon, artistic research and creativity contributes to generating new knowledge and driving forward artistic and cultural practices, boosting competitiveness and single market and the digital single market in particularparking creation and innovation.
2018/11/30
Committee: CULT
Amendment 127 #
Proposal for a regulation
Recital 6
(6) The Programme should take into account the dualmultiple nature of the cultural and creative sectors, recognising, on the one hand, the intrinsic and artistic value of culture and, on the other, the social and economic value of those sectors, including their broader contribution to growth and competitiveness, creativity and innovation. This requires strong European cultural and creative sectors, in particular. Culture contributes significantly to intercultural dialogue and understanding, social cohesion, cultural development, sustainable growth and competitiveness, creation and creativity, innovation and knowledge generation. This requires strong European cultural and creative sectors, both in the for-profit and not-for- profit domains. This also requires a vibrant European audiovisual and music industry, taking into account its capacity to reach large audiences and its economic importance, including for other creative sectors as well as cultural tourism. However, competition in global audiovisual markets has been further intensified by the deepening digital disruption e.g. changes in media production, consumption and the growing position of global platforms in the distribution of content. Therefore, there is a need to step-up the support to the European industry, while providing equal support to the rest of the cultural and creative sectors.
2018/11/30
Committee: CULT
Amendment 141 #
Proposal for a regulation
Recital 7
(7) To be effective, the programme should provide equal support to all cultural and creative sectors. To be effective, priority should be given to horizontal schemes targeting common needs across sectors. The Programme shouldmay take into account the specific naturechallenges of the different sectors, their different targerough dedicated strands. Building on pilot gproups and their particular needs through tailor-made approachesjects, preparatory actions and studies, the programme should also implement, withi an a strand dedicated to the audiovisual sector, a strand dedicappropriate budget, the sectoral actions listed toin the other cultural and creative sectors and a cross-sectoral strandAnnex of the Creative Europe proposal.
2018/11/30
Committee: CULT
Amendment 149 #
Proposal for a regulation
Recital 9
(9) Union intervention is needed in the audiovisual sector to accompany the Union’s Digital Single Market policies. This concerns notably the modernisation of the copyright framework and the proposed Regulation on online transmissions of broadcasting organisations16 , as well as the proposal to amendupdated Audiovisual Media Services Directive 2010/13/EU of the European Parliament and of the Council17 . They seek to strengthen the capacity of European audiovisual players to create, finance, produce and disseminate works that can be sufficiently visible on the different media of communication available (e.g. TV, cinema or Video On Demand) and attractive to audiences in a more open and competitive market within Europe and beyond. Support should be scaled up in order to address recent market developments and notably the stronger position of global platforms of distribution in comparison to national broadcasters traditionally investing in the production of European works. __________________ 16 17COM(2016) 594 final COM(2016) 594 final 17 COM/2016/0287 final COM/2016/0287 final
2018/11/30
Committee: CULT
Amendment 157 #
Proposal for a regulation
Recital 10 a (new)
(10a) Creative Europe has sparked the creation of innovative and successful projects that generated good practices in terms of transnational European cooperation in the creative and cultural sectors. In turn, this has increased the European cultural diversity for audiences, and leveraged the social and economic benefits of European cultural policies. To be more efficient, such success stories should be highlighted and whenever possible expanded.
2018/11/30
Committee: CULT
Amendment 158 #
Proposal for a regulation
Recital 10 b (new)
(10b) Music, in all its forms and expressions and especially contemporary music, is an essential component of the cultural, artistic and economic heritage of the European Union. It is an element of social cohesion, multicultural integration, youth socialization and serves as a key instrument to enhance the tourist and cultural offer. As part of the specific actions pursued under the CULTURE strand, the music sector should therefore be a particular focus in terms of financial distribution and targeted actions. Tailor- made calls and instruments should help boost the competitiveness of the music sector and address some of the specific challenges it faces.
2018/11/30
Committee: CULT
Amendment 168 #
Proposal for a regulation
Recital 11
(11) Culture is key to strengthen inclusive and, cohesive and reflective communities. In the context of migration pressure, culture has an important role in the integration of migrants to help them feel part of host societies and develop good relations between migrants and new communitiecreating inclusive spaces for an intercultural dialogue, for instance through work involving migrants.
2018/11/30
Committee: CULT
Amendment 175 #
Proposal for a regulation
Recital 12
(12) Artistic freedom is, freedom of expression and pluralism are a prerequisite for and at the core of vibrant cultural and creative industries, including the news media sectors. The programme should promote cross-overs and collaboration between the audiovisual sector and all creative sectors in order to strengthen publishing sector to promote a pluralistic media environmentluralistic artistic and media environments as well as the appropriate visibility and recognition of creators.
2018/11/30
Committee: CULT
Amendment 183 #
Proposal for a regulation
Recital 12 a (new)
(12a) Mobility of artists as well as cultural workers, skills’ development, learning, intercultural awareness, co- creation, co-production, circulation and dissemination of artworks, participation in international fairs, festivals etc. is a key prerequisite for a better linked, stronger and more sustainable cultural and creative sectors in Europe.
2018/11/30
Committee: CULT
Amendment 185 #
Proposal for a regulation
Recital 13
(13) In line with Articles 8 and 10 of the Treaty on the Functioning of the European Union (TFEU), the Programme in all its activities should support gender mainstreaming and the mainstreaming of non-discrimination objectives and, where applicable, should define appropriate gender balance and diversity criteria.
2018/11/30
Committee: CULT
Amendment 208 #
Proposal for a regulation
Recital 22
(22) Since its creation, the European Film Academy has developed a uniquen expertise and is in a unique position to create a pan- European community of film creators and professionals, who are promoting and disseminating European films beyond their national borders and developing truly European audiences. Therefore, it should be eligible for direct Union support.
2018/11/30
Committee: CULT
Amendment 212 #
Proposal for a regulation
Recital 23
(23) Since itstheir creation, youth orchestras such as the European Union Youth Orchestra hasve shown their European spirit and have developed a uniquen expertise in promoting intercultural dialogue, mutual respect and understanding through culture. The particularity of the European Union Youth Orchestra lies in the fact that it is a European orchestra thatse orchestras transcends cultural boundaries and isare composed of young musicians selected in accordance with demanding artistic criteria through a rigorous annual audition process in all Member States. Therefore, it should be eligible for direct Union support.
2018/11/30
Committee: CULT
Amendment 213 #
Proposal for a regulation
Recital 24
(24) Organisations from the cultural and creative sectors with a large European geographical coverage and whose activities entail delivering cultural services directly to the Union's citizens and that thus have the potential to have direct impact on European identity should be eligible for Union support.
2018/11/30
Committee: CULT
Amendment 222 #
Proposal for a regulation
Recital 26
(26) Financial support should be used to address market failures or sub-optimal investment situations, in a proportionate manner and actions should not duplicate or crowd out private financing or distort competition in the Internal market. Actions should have a clear European added value and be well-fitted for the specific projects they are supporting.
2018/11/30
Committee: CULT
Amendment 230 #
Proposal for a regulation
Recital 27
(27) One of the greatest challenges of thefor all cultural and creative sectors is to increase their access to finance allowing their activities, which is essential to grow, maintain or increasescale-up their competitiveness or internationalise their activities. The policy objectives of this Programme should also be addressed through financial instruments and budgetary guarantee under the policy window(s) of the Invest EU Fund.
2018/11/30
Committee: CULT
Amendment 234 #
Proposal for a regulation
Recital 28
(28) Taking into account the technical expertise required to assess proposals under specific actions of the Programme it should be provided that, where relevant, evaluation committees may be composed of external experts with experience and expertise in the specific area of action, and relevant management and artistic backgrounds.
2018/11/30
Committee: CULT
Amendment 239 #
Proposal for a regulation
Recital 29
(29) The Programme should include a realistic and manageable system of performance indicators to accompany its actions and monitor its performance on a continuous basis. This monitoring as well as information and communication actions relating to the Programme and its actions should build on the three strands of the programme. The strands could have a common set of indicators and then some dedicated sets, given their different needs.
2018/11/30
Committee: CULT
Amendment 243 #
Proposal for a regulation
Recital 29 a (new)
(29a) Considering the complexity of measuring the impact of cultural policies and defining indicators, the Commission shall entrust that mission to its statistical office, Eurostat, acting in network with European centres of excellence in this field in collaboration with the Council of Europe, the Organisation for Economic Co-operation and Development (OECD) and Unesco. It will hereby contribute to the achievement of the objectives of the Culture strand and follow closely on further cultural policy developments, also by including at an earlier stage stakeholders in the reflection and adaptation of indicators, common to different sectors or specific per domain of activities.
2018/11/30
Committee: CULT
Amendment 250 #
Proposal for a regulation
Recital 36
(36) In order to ensure the continuity of funding support provided under the Programme and cover the increasing funding gaps experienced by beneficiaries, smooth implementation of the Programme, the costs incurred by the beneficiary before the grant application is submitted, in particular costs related to intellectual property rights, mayshall be considered as eligible, provided that they are directly linked to the implementation of the supported actions.
2018/11/30
Committee: CULT
Amendment 255 #
Proposal for a regulation
Article 2 – paragraph 1 – point 2
(2) 'cultural and creative sectors' means all sectors whose activities are based on cultural values or artistic and other individual or collective creative expressions and practices, whether those activities are market or non-market oriented. The activities may include the research and development, the creation, the production, the dissemination and the preservation of practices, goods and services which embody cultural, artistic or other creative expressions, as well as related functions such as education or management. They willare expected to have a potential to generate innovation and jobs in particular from intellectual property. The sectors include architecture, archives, libraries and museums, artistic crafts, audiovisual (including film, television, video games and multimedia), tangible and intangible cultural heritage, design (including fashion design), festivals, music, literature, performing arts, books and publishing, radio, and visual arts;
2018/11/30
Committee: CULT
Amendment 272 #
Proposal for a regulation
Article 3 – paragraph 1 – point b
(b) to increase the innovation, creativity and competitiveness of theall cultural and creative sectors, in particular the audiovisual sector.
2018/11/30
Committee: CULT
Amendment 275 #
Proposal for a regulation
Article 3 – paragraph 1 – point b a (new)
(ba) to contribute to the recognition and promotion of culture and its role in enhancing democracy, critical thinking, and sense of belonging and citizenship;
2018/11/30
Committee: CULT
Amendment 277 #
Proposal for a regulation
Article 3 – paragraph 2 – point a
(a) enhancing the artistic, cultural, economic, social and external dimension of European level cooperation to develop and promote European cultural diversity and Europe's cultural heritage, support mobility of artists and cultural operators and circulation of cultural and artistic works, and strengthening the competitiveness of the European cultural and creative sectors and reinforcing international cultural relations;
2018/11/30
Committee: CULT
Amendment 287 #
Proposal for a regulation
Article 3 – paragraph 2 – point b
(b) promoting the competitiveness and scalability of the European audiovisual industrysector;
2018/11/30
Committee: CULT
Amendment 288 #
Proposal for a regulation
Article 3 – paragraph 2 – point c
(c) promoting policy cooperation and innovative actions supporting all strands of the programme, including and all cultural and creative sectors, including the safeguarding of freedom of artistic expression and the promotion of a diverse and pluralistic cultural and media environments, media literacy and, social inclusion and intercultural dialogue.
2018/11/30
Committee: CULT
Amendment 305 #
Proposal for a regulation
Article 4 – paragraph 1 – point a
(a) to strengthen the cross-border dimension and circulationdiversity of European cultural and creative operators ande, especially with regards to the mobility of creative operators and to the circulation of artistic works;
2018/11/30
Committee: CULT
Amendment 313 #
Proposal for a regulation
Article 4 – paragraph 1 – point b
(b) to increase cultural access and audience engagement participation across Europe;
2018/11/30
Committee: CULT
Amendment 317 #
Proposal for a regulation
Article 4 – paragraph 1 – point c
(c) to promotenhance societal resilience and social inclusioninclusion and intercultural dialogue through arts, culture and cultural heritage;
2018/11/30
Committee: CULT
Amendment 322 #
Proposal for a regulation
Article 4 – paragraph 1 – point d
(d) to enhance the capacity of European cultural and creative sectors to prosper and to generate new artistic practices, knowledge and skills, and sustainable jobs and growth;
2018/11/30
Committee: CULT
Amendment 328 #
Proposal for a regulation
Article 4 – paragraph 1 – point d a (new)
(da) to enhance the professional capacities of authors and performers and to empower them through appropriate measures;
2018/11/30
Committee: CULT
Amendment 333 #
Proposal for a regulation
Article 4 – paragraph 1 – point e
(e) to strengthen European identity andthe sense of community and democratic values through cultural awareness, artistic expression, visibility and recognition of creators, critical thinking, arts education and culture-based creativity in formal, non- formal and informal lifelong education;
2018/11/30
Committee: CULT
Amendment 339 #
Proposal for a regulation
Article 4 – paragraph 1 – point f
(f) to promote international capacity building of European cultural and creative sectors, including grass-roots and micro- organisations, to be active at the international level;
2018/11/30
Committee: CULT
Amendment 344 #
Proposal for a regulation
Article 4 – paragraph 1 – point g
(g) to contribute to the Union 's global strategy for international relations through cultural diplomacy, involving civil society, grass-roots organisations and cultural networks.
2018/11/30
Committee: CULT
Amendment 347 #
Proposal for a regulation
Article 4 – paragraph 1 a (new)
The priorities of the strand "CULTURE" shall be pursued through horizontal as well as sectorial actions.
2018/11/30
Committee: CULT
Amendment 356 #
Proposal for a regulation
Article 5 – paragraph 1 – point b
(b) to enhance thea trical and online distribution and provide wider access across borders to European audiovisual workansnational and international circulation of theatrical, online and physical distribution of European audiovisual works and thus provide a wider access, including through innovative business models and the use of new technologies;
2018/11/30
Committee: CULT
Amendment 371 #
Proposal for a regulation
Article 6 – paragraph 1 – point a
(a) to support cross-sectoral transnational policy cooperation, including on promoting the role of culture forin social inclusion and democracy, and promote the knowledge of the programme and support the transferability of results;
2018/11/30
Committee: CULT
Amendment 373 #
Proposal for a regulation
Article 6 – paragraph 1 – point b
(b) to promote innovative approaches to contentartistic creation and research, access, distribution and promotion across cultural and creative sectors, covering both market and non-market dimensions;
2018/11/30
Committee: CULT
Amendment 382 #
Proposal for a regulation
Article 6 – paragraph 1 – point c
(c) to promote cross cutting activities covering severall sectors aiming at adjusting to the structural changes faced by the media sector, including enhancing a free, diverse, and pluralistic cultural and media environment, qualityensuring the bases for quality and investigative journalism and media literacy;
2018/11/30
Committee: CULT
Amendment 388 #
Proposal for a regulation
Article 6 – paragraph 1 – point d
(d) to set up and support programme desks to promote, the Programme in their country, support applicants, especially micro-organisations, and to stimulate cross-border cooperation within the cultural and creative sectors.
2018/11/30
Committee: CULT
Amendment 396 #
Proposal for a regulation
Article 7 – paragraph 1 – subparagraph 2 – indent 1
up to EUR 609 000 000at least 37 % for the objective referred to in Article 3 (2)(a) (strand CULTURE);
2018/11/30
Committee: CULT
Amendment 399 #
Proposal for a regulation
Article 7 – paragraph 1 – subparagraph 2 – indent 2
up to EUR 1 081 000 000at least 52 % for the objective referred to in Article 3(2)(b) (strand MEDIA);
2018/11/30
Committee: CULT
Amendment 402 #
Proposal for a regulation
Article 7 – paragraph 1 – subparagraph 2 – indent 3
up to EUR 160 000 000at least 11 % for the activities referred to in Article 3(2)(c) (CROSS SECTORAL strand).
2018/11/30
Committee: CULT
Amendment 414 #
Proposal for a regulation
Article 8 – paragraph 1 – point d – point c
(c) does not confer to the third country a decisional power on the programme. Third countries, however, may participate in the programmes’ governance structures and stakeholders forums with the purpose of facilitating information exchange;
2018/11/30
Committee: CULT
Amendment 425 #
Proposal for a regulation
Article 9 a (new)
Article 9a Cooperation with EUROSTAT The Commission shall, apart from a close cooperation with UNESCO, the Council of Europe, OECD, establish a regular and efficient link to its statistical office, Eurostat, in order to define indicators and measure the impact of its cultural policies. It will hereby contribute to the achievement of the objectives of the Culture strand and follow closely on further cultural policy developments, also by including at an earlier stage stakeholders in the reflection and adaptation of indicators, common to different sectors or specific per domain of activities.
2018/11/30
Committee: CULT
Amendment 428 #
Proposal for a regulation
Article 10 – paragraph 4
4. Contributions to a mutual insurance mechanism may cover the risk associated with the recovery of funds due by recipients and shall be considered a sufficient guarantee under the Financial Regulation. The provisions laid down in [Article X of] Regulation XXX [successor of the Regulation on the Guarantee Fund], built on and taking into account the implementation practices already developed, shall apply.
2018/11/30
Committee: CULT
Amendment 431 #
Proposal for a regulation
Article 12 – paragraph 1
1. The Programme shall be implemented by annual work programmes referred to in Article 110 of the Financial Regulation. Work programmes shall be preceded by consultations with the various stakeholders, in order to make sure that the actions planned will support at best the different sectors involved; it shall as well set out, where applicable, the overall amount reserved for blending operations.
2018/11/30
Committee: CULT
Amendment 442 #
Proposal for a regulation
Article 13 – paragraph 3
3. By way of derogation from Article [130(2)] of the Financial Regulation, and in duly justified cases, costs incurred by the beneficiary before the submission of the grant application, mayshall be considered eligible, provided that they are directly linked to the implementation of the supported actions and activities.
2018/11/30
Committee: CULT
Amendment 451 #
Proposal for a regulation
Article 14 – paragraph 5
5. The following entities may be awarded grants without a call for proposal: (a) (b) Orchestra.deleted The European Film Academy; The European Union Youth
2018/11/30
Committee: CULT
Amendment 453 #
Proposal for a regulation
Article 14 – paragraph 5 – point a
(a) The European Film Academy;deleted
2018/11/30
Committee: CULT
Amendment 456 #
Proposal for a regulation
Article 14 – paragraph 5 – point b
(b) The European Union Youth Orchestra.deleted
2018/11/30
Committee: CULT
Amendment 466 #
Proposal for a regulation
Article 16 – paragraph 2 a (new)
2a. The European Commission shall guarantee that all cultural and creative sectors are eligible in those areas of EU action where the Seal of Excellence is applicable. Proposals awarded the Seal of Excellence shall have facilitated access to other EU programmes.
2018/11/30
Committee: CULT
Amendment 470 #
Proposal for a regulation
Article 18 – paragraph 2
2. The interim evaluation of the Programme shall be performed once there is sufficient information available about the implementation of the Programme, but no later than fourthree years after the start of the programme implementation, i.e. by July 2024.
2018/11/30
Committee: CULT
Amendment 484 #
Proposal for a regulation
Annex I – point 1 – paragraph 1 – subparagraph 1 – point d
(d) Mobility of artists and cultural and creative operators and circulation of artistic and cultural works;
2018/11/30
Committee: CULT
Amendment 490 #
Proposal for a regulation
Annex I – point 1 – paragraph 1 – subparagraph 2 – introductory part
Sectorial actions: whereas a general approach is necessary to include all sectors referred to in Article 2, with common challenges, there is a need to address sectorial actions which may be developed to target precisely a sub-sector. A horizontal approach shall be taken regarding mobility and internationalisation, promotion of diversity, creativity and innovation, training and exchanges of professionals, capacity building, networking skills, audience development as well as data gathering and analysing. On this basis, sectorial support shall be ensured to:
2018/11/30
Committee: CULT
Amendment 491 #
Proposal for a regulation
Annex I – point 1 – paragraph 1 – subparagraph 2 – point a
(a) Support to the music sector: promoting diversity, creativity and innovation in the field of music, in particular the distribution of musical repertoire in Europe and beyond, training actions and audience development for European repertoire for professionals and amateurs, in particular the circulation and distribution of a diverse European musical repertoire in Europe and beyond, education, training, participation and access to music, cross- border mobility and networking opportunities for European artists, audience development for European repertoire, measures aiming at the visibility and recognition of creators, enhancing the creation and performance of music especially by young artists through supporting production of first and second works of emerging musicians and supporting the organisation of their live music performances, as well as support for data gathering and analysis;
2018/11/30
Committee: CULT
Amendment 501 #
Proposal for a regulation
Annex I – point 1 – paragraph 1 – subparagraph 2 – point c
(c) Support to architecture and, past and present, and tangible and intangible cultural heritage sectors: targeted actions for the mobility of operators, capacity- building, audience development and internationalization of the cultural heritage and architecture sectors, promotion of Baukultur, support to the safeguarding, conservation and enhancement of tangible and intangible cultural heritage and its values through awareness- raising, networking and peer-to-peer learning activities;
2018/11/30
Committee: CULT
Amendment 507 #
Proposal for a regulation
Annex I – point 1 – paragraph 1 – subparagraph 2 – point d
(d) Support to other sectors: targeted actions in favour of the development of the creative aspects of the design and fashion sectors and cultural tourism as well as to their promotion and representation outside the European Unionpromotion actions raising awareness in and outside the European Union about the creative aspects of the design and fashion sectors, as well as about a growing sustainable cultural tourism.
2018/11/30
Committee: CULT
Amendment 508 #
Proposal for a regulation
Annex I – point 1 – paragraph 1 – subparagraph 2 a (new)
Support to all sectors included in Article 2 in areas of common need, whereas a sectorial action may be developed as appropriate in cases where the specificities of a sub-sector justify a targeted approach. A horizontal approach shall be taken for transnational projects for collaboration, mobility and internationalisation, including through residency programmes, touring, events, live performances, exhibitions and festivals, as well as for the promotion of diversity, creativity and innovation, training and exchanges for sector professionals, capacity building, networking, skills, audience development and data gathering and analysis. Sectorial actions shall benefit from budgets which are proportionate to the sectors identified as priorities. Sectorial actions should help address the specific challenges faced by the different priority sectors identified in annex I, building on existing pilot projects, and preparatory actions.
2018/11/30
Committee: CULT
Amendment 517 #
Proposal for a regulation
Annex I – point 2 – paragraph 1 – point b a (new)
(ba) Support to initiatives dedicated to the creation and promotion of works related to the history of European integration and to European stories.
2018/11/30
Committee: CULT
Amendment 525 #
Proposal for a regulation
Annex I – point 2 – paragraph 1 – point e
(e) Support to business to business exchanges and networking activities to facilitate European and international co- productions and the circulation of European works;
2018/11/30
Committee: CULT
Amendment 554 #
Proposal for a regulation
Annex I – point 3 – paragraph 1 – subparagraph 2 – point b a (new)
(ba) actions aiming at interdisciplinary productions relating to Europe and its values;
2018/11/30
Committee: CULT
Amendment 557 #
Proposal for a regulation
Annex I – point 3 – paragraph 1 – subparagraph 3 – point b
(b) Support potential beneficiaries in application process, stimulate cross border cooperation between professionals, institutions, platforms and networks within and across the policy areas and sectors covered by the programme;
2018/11/30
Committee: CULT
Amendment 566 #
Proposal for a regulation
Annex I – point 3 – paragraph 1 – subparagraph 4 – point b
(b) Supporting high media production standards by fostering cooperation, cross- border collaborative, investigative and long-form journalism, and quality content;
2018/11/30
Committee: CULT